Bright Lights
Studio: Disney Release Date : March 19, 1928 Series: Oswald the Lucky Rabbit

Cumulative rating:
(2 ratings submitted)


Penniless Oswald wishes to see a vaudeville show, so he sneaks in backstage by hiding himself underneath a giant fur coat. Once he is spotted by the management, a chase ensues. Oswald hides himself in a cage that happens to have a wild cat in it. He runs out of the cage and climbs the pole of the balancing act, with the cat hot on his trail. Eventually, a group of lions escape from the cage, run on stage, and scare everybody out of the theater.


Oswald, the Lucky Rabbit



Walter Elias "Walt" Disney


Hugh Harman
Rollin "Ham" Hamilton


Mike Marcus


Universal Pictures


United States

The Adventures of Oswald the Lucky Rabbit
Oswald the Lucky Rabbit


The Adventures of Oswald the Lucky Rabbit

Technical Specifications

Running Time: 6:19
Animation Type: Standard (Hand-drawn-Cel) Animation
Aspect Ratio: 1.37 : 1
Cinematographic Format: Spherical
Color Type: Black and White
Negative Type: 35mm
Original Country: United States
Original Language: English
Print Type: 35mm
Sound Type: Silent

Reviews and Comments

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From Ryan :

Oswald attempts to see a female performer for free by sneaking backstage. I enjoy some of the fun gags in this cartoon such as when Oswald finds himself in a cage with a wild cat, he shrinks down so he can fit through the bars. Another gag I enjoy is when Oswald hides under a patron's shadow to get backstage, but is soon revealed when the patron's coat is removed. There is a similar gag in the Flip the Frog cartoon "Movie Mad."

From Ryan Kilpatrick at The Disney Film Project :

Bright Lights, in the form presented on the Oswald DVD, is an astoundingly hilarious short. It brings Oswald front and center as a comedic figure, enacting a celebrity fantasy, but puts him in many funny situations. I say in the form on the DVD, because there are definitely some scenes missing from this transfer, that were in the original cartoon but are not presented here.

The set up is a vaudeville stage, where a world famous female performer is appearing, and we see the beginning of her act as the short opens. Multiple dancers on the marquee, appearing in electric lights, fade into the live dancers on stage, in a nice bit.

After we see the dancers do their act for a while, interspersed with shots of the orchestra, we cut to Oswald, outside admiring the poster of his celebrity crush. In a funny gag, he is trying to think of how to get the 50 cent entrance fee, and rests his hand on the poster, strategically placed on the woman’s bottom. The woman in the poster gets offended and moves, causing Oswald to fall.

He schemes many ideas to get in the show through the backstage area, in what is probably the funniest sequence of the Oswalds so far. He tries to run past the guard, flipping and flopping, he jumps over him, he even ties the guard in a knot around a lamppost, only to be stopped by security inside. Finally, he’s able to sneak in under the shadow of a rich fellow headed backstage.

That doesn’t stop the guard, however, who chases Oswald across the stage, flipping the balancing act on stage. Oswald manages to hide in a cage nearby, not realizing that it’s a dangerous tiger cage. He runs out of the cage, back on the stage, and climbs the pole of the balancing act. The tiger comes after him, and Oswald manages to reach the ceiling, hanging on for dear life, with the other member of the balancing team hanging on him.

Finally, he is able to reach a mallet and clobber the tiger, but not before the lions also escape. As Oswald makes his way down, the lions run across the stage, leaping into the crowd and straight at the viewer. It’s a magnificent piece of animation.

The crowd runs out of the theatre, deflating the theatre, but Oswald sneaks out the side. The lions chase him off into the sunset.

I am not doing this justice, as I’m short on time today, but Bright Lights is a magnificent short. The two main things I was struck by were the great gags and humor, and Oswald’s appearance. He looks more like the later Mickey in this short than I have seen in the previous ones. I don’t know if that is an evolution from The Ocean Hop to now in the intervening shorts that I don’t have, but it’s very noticeable. If you are on the fence, go get this DVD now and you won’t be sorry if you watch Bright Lights.