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Yes, we have seen the dogcatcher reviled in
Alice the Dogcatcher and other shorts, and it continues here, although that is just the second half of this very fun short. The main part of the short is around Pluto taking a bath, after which he swallows the soap and begins foaming at the mouth.
As could be predicted, when Pluto runs out of the house, trying to get away from Mickey, his soap suds lead people to think he’s a rabid dog. This leads to some great gags of people in the town running away from him. There’s an old cow who jumps on top of a police phone, a giant pig who tries to jump in a whisky barrel, and the Chinese laundry man who runs away and has the clothes he dropped follow along. These gags would likely be offensive today, but they’re still fun.
The short is great in that it gives a little more meaning to the cliché of Pluto’s chase. We’ve seen Pluto causing mass chaos all over Mickey or Minnie’s house or yard, but this is the first time he’s been set loose in a city. It’s a great choice, because he gets a mob chasing him and gets Pete the dogcatcher involved, which is also great fun.
This is the Pete from
Steamboat Willie, meaner and more of a villain. He drives his dogcatcher cart after Pluto, and corners Mickey and Pluto in an alley. Seeing Mickey try to outwit Pete is one of the treats of any Mickey cartoon. Here, he slips our erstwhile friend the cat in Pete’s pants, and manages to slip out a hole that Pete accidentally shoots in the fence.
Pete chasing Mickey and Pluto through town is fun as well, as they use various and sundry carts or cars to try and escape, eventually catapulting Pete into the air and headfirst into his dogcatcher cart.
I would write a great deal more about the quality of the animation or the artistry of this short, but neither are real standouts. Sure, Mickey and Pluto are fantastic characters, and you find yourself caught up in what they are doing and not watching for special tricks in the art or things like that. That’s a testament to where they have come from in the last few shorts. Sure, things are somewhat paint by numbers, filling out certain plot points in service of the fun Mickey/Pluto chaos, but it works and works well.
I especially like all the character designs in this one. The "old cow" looks like an elderly Clarabelle (who herself has a cameo in the chase scene!)